Sensing the ever encroaching threat the modern digital world places on her mental health, and following a period of loss and grief, Saya isolated herself to set about sampling and compiling existing snippets she compulsively records with an almost always-on tape machine. Whether it’s voice notes from three years ago, a sample of her drummer playing Jungle rhythms, or a guitar part her brother interrupted sessions to play her - it was all fed through an MPC to create a body of work far greater than the sum of its parts - as Saya herself describes it, she puts ‘1000 personalities in one song’. It’s an unfiltered, frenzied approach to her art that she felt necessary to reclaim her sense of self in an ever changing world.